Could you imagine watching a 24-hour long film without a main plot and with clocks as its main protagonists? Although this principle might sound like it could be a tedious ordeal, Christian Marclay’s impressive video collage ‘The Clock’ consisting of about 12,000 film and television clips actually makes for an unforgettable experience. This special video work opened at Tate Modern on Friday 14 September and I went to see it yesterday morning, spending four hours in Christian Marclay’s carefully curated cinematic world.

It’s been only 1.5 weeks since I returned home from my 6-week artist residency in Captiva, Florida, and here I am back on a plane again. I’ve swapped my bikini and sandals for chunky pullovers and thermal socks as winter temperatures in the Netherlands are about 20 degrees Celsius lower than in Florida. Rather than showing off my tan to friends and family, I’ll be wrapped up in thermals again from head to toe.

Shoreditch-based StolenSpace Gallery is one of my regular go-to destinations during my street art walks. Featured artists all come from or are inspired by ‘underground’ culture such as graffiti writing and street art. The same goes for their current show ‘The New Pollution’ by Australian artist Ben Frost, which criticises the amount of urban refuse and unwanted advertising (pollution) that forces its way into our private lives on a daily basis.